As an A section designer at the Villages Daily Sun, I collaborate with reporters, photographers and editors to package the front page. I also design inside pages for state, nation and world stories. Our newsroom focuses on hyper-local news in and around The Villages, Florida. Catering to this unique audience has allowed me to consider new factors of presentation and rethink ways I can better visualize a story for an aging audience.
Summer of Sketching
A project over seven weeks where I chose to explore oil pastels as a medium and tackle weekly prompts, mostly as an exploration of self.
Daily News Front Pages
During my junior and senior year I designed front pages weekly at The Ball State Daily News student newspaper. On print nights I conceptualized stories, wrote headlines, and chose photos or created illustrations. The front page on body camera footage won second place in the student category for the Columbia Scholastic Press Association Gold Circle Awards. The Build-a-Beard front page won second place for illustration in the Indiana Collegiate Press Association student awards.
A collection of illustration experiments to expand upon drawing styles, tools and mediums.
BSU SPJ Campaign
I worked with the Ball State chapter of the Society of Professional Journalists on a campaign to combat fake news. Partnering with the Ball State Libraries, I began with an infographic to inform students on ways to spot fake news by visualizing information from the CRAAP test.
The final campaign consists of an infographic, poster, T-shirt and sticker to promote the chapter and inform Ball State students about how to be better consumers of news.
Ball Bearings Magazine: The Roaring 20's
Through the Ball State student magazine, Ball Bearings, I had the opportunity to visualize stories through illustrations. As a page designer, I places the content and drew digital illustrations for a spread in the fall 2015 issue.
The Roaring 20's column shared one person's viewpoint on growing up and making choices that will impact young adults for the rest of their lives.
Check out the spread and full magazine for Fall 2015 on ISSUU.
Inspired by lettering artist Becca Clason, I developed a conceptual photography piece for the topic of my own typographic food experiment: Handling criticism.
Baking can be a tool for celebration and praise, creating a meal that is shared between close-knit groups in honor of an achievement. With anxiety I often fear that I will never be good enough, which can dampen my celebratory moments.
In these photographs I present my mind's perspective. The audience views these deserts from the perspective of someone living with a warped narrative in their brain.
A collection of fine art pieces from courses in neon glass tubing, relief printmaking and letterpress printing.
For a project on utilizing a found object and creating a narrative in neon, I dismantled a lantern with the intention of illuminating it myself. Almost as a building this was metaphor itself, I imagined the moments in life I had to guide myself through uncharted territories. I wanted this piece to encourage others to use their passion to lead them through the unknown, unfamiliar and uncomfortable.
The second piece is an exploration in the role of signage as communication, inspired by one of the earliest forms of indicating direction or importance: the medival manicule, as illustrated in illuminated manuscripts.
In relief printmaking I created a series of woodcut self-portraits, this one demonstrating an insatiable desire for answers. Creating an image using carving tools and wood with one color has taught me a lot about showing depth in a 2-D image.
The memo books below are a product I created through the Book Arts Collaborative. I utilize memobooks daily for creating lists, and wanted to present the idea in a snarky way for those who want to give others a peek of what's inside. I utilized wood cuts and metal type from Tribune Showprint Posters, a letterpress business.
Olympic Torch Relay
During the last semester of my senior year, I visualized a research project led by Alan Hovorka, which told the history of the Olympic torch relay through data visualization. My role in this project included creating a motion graphic tracking the number of times the relay crossed a country over time, illustrating a by-the-numbers alternative storytelling format and general design consultation. You can view the project in its entirety here.